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Thriftstore Masterpiece


專輯歌曲
專輯介紹
專輯列表

 
 
 
 

【 Trouble Is A Lonesome Town 】【 英文 】【 2013-07-09 】

專輯歌曲:
1.Long Black Train (Featuring Frank Black) (提供)

2.Ugly Brown (Featuring Larry Norman) (提供)

3.Son Of A Gun (Featuring Frank Black) (提供)

4.We All Make The Flowers Grow (Featuring Kristin Blix) (提供)

5.Run Boy Run (Featuring Frank Black) (提供)

6.Six Feet Of Chain (Featuring Pete Yorn) (提供)

7.The Railroad (Featuring Isaac Brock) (提供)

8.Look At That Woman (Featuring Courtney Taylor-Taylor) (提供)

9.Peculiar Guy (Featuring Eddie Argos) (提供)

10.Trouble Is A Lonesome Town (Featuring Larry Norman) (提供)



專輯介紹:

Thriftstore Masterpiece is a revolving music collective devoted to paying homage to the underdog records of years past. The debut album revisits Lee Hazlewood's 1963 lost classic Trouble Is A Lonesome Town and features Pete Yorn, Frank Black, Isaac Brock, Courtney Taylor-Taylor (The Dandy Warhols), Eddie Argos (Art Brut), the late Larry Norman and more.

In 1963, Lee Hazlewood released his debut album Trouble is a Lonesome Town to little fanfare. It was a collection of solo acoustic songs stitched together with a narrative that described life in a fictional small town inhabited by outlaws, thieves, and down-and-out laborers. The album was hokey, but hip. Corny, but cool. It evoked a bygone era of pastoral American towns and their sometimes seedy underbellies, somewhat like a darker version of the Andy Griffith Show or a more sinister Prairie Home Companion. More importantly, it was a fully realized concept album that predated the trend that is so common in today' s music world. Hazlewood had originally intended the songs as demos for his publisher, in hopes that other artists might someday record them. A half century later, the music collective known as Thriftstore Masterpiece has done exactly that.

Producer I band leader Charles Normal explains 'I first came across the record around the turn of the millennium while living in Oslo, Norway. I found it in a secondhand junk shop and it struck a nostalgic note somewhere within me. It made me homesick for the panoply of Americana I had experienced while slumming it in the Southwestern border towns and California desert whistle stops I drifted through when I first started playing music on the road. The record didn't leave my turntable for months. Years later, I started to envision the record as a more orchestrated statement and began recording the basic tracks in my studio. My brother, singer Larry Norman, lent his voice to a couple of the tracks, but when he passed away from a heart attack in 2008 I fell into a deep funk and put the project on the back burner. I couldn't bring myself to harmonize with his vocals ... it was just too emotional to deal with. It wasn't until much later, prompted in part by Isaac Brock, that I dusted off the tapes and hard drives and began to finish it. I went through my address book and started calling friends who happened to be in possession of great voices to see if they were interested in joining in.'