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- 专辑歌曲
- 专辑介绍
- 专辑列表
- 歌手介绍
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【 A Fever You Can't Sweat Out 】【 英文 】【 2005-08-25 】
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专辑歌曲：
专辑介绍：
从团名到专辑封面再至多首长的乱七八糟的曲目看来，这是一组绝对另你兴趣十足的闪亮亮新团，可以很跳、可以很摇、可以很爽、可以很爆、可以很High，但不需太过惊慌，Panic! At The Disco乐团让你不分舞曲亦或摇滚派对，添入五光十射正点节拍，引发全身上下每条想要舞动神经与不安鼓噪细胞！
来自拉斯维加斯的Ryan Ross，在他12岁之龄便央求父母买吉他送为圣诞节礼物，邻居好友Spencer Smith则乞求父母买整组鼓送他，好与Ryan组团大搞音乐。成团之后最爱翻玩的就是Blink-182作品，陆续加入同班同学Brent Wilson(贝斯手)以及Brendon Urie(主唱)，向往摇滚明星梦的四位年轻小伙子正式成军上路。近期火红延烧并充满年轻朝气，聆听Green Day音乐给他们创作灵感，些许EMO风格夹带流畅声线的Fall Out Boy，钱包赚了满满后，身为贝斯手的Peter Wentz，聆听到Panic! At The Disco绽放快意之音，立刻将他们签入自设音乐厂牌Decaydance旗下，准备帮这一群热血小子们一展长才，AP音乐杂志早在封面斗大标示赞誉出“2006年你必须知道的100组乐团”。
首周以超越30万张销售量空降全美流行专辑Top24及热门潜力与独立专辑榜双料冠军《A Fever You Can't Sweat Out》大碟，请来新锐级制作高手Matt Squire(Thrice、Northstar)操盘。首波攻入热门下载榜Top24、流行单曲Top50的“I Write Sins Not Tragedies”，喧泄一股过瘾十足流行朋克声线，迅速掳获全美地下摇滚迷的重要单曲；进入2006年再接再厉展开第二波攻势是攻占现代摇滚榜No.5的“The Only Difference Between Martyrdom And Suicide Is Press Coverage”，别以为只是建构在朋克基调中，电子颗粒随处散射以及落差极为明显之段落，处处暗藏编曲玄机有待你来发掘；“Time To Dance”是Panic!At The Disco诚致邀请你丢开所有烦恼，随乐大声唱以及畅快共舞；突然转化电子合成舞曲的“Intermission”，中段加上拍案叫绝琴韵谱入，是首玩闹带劲纯演奏曲；加大编曲格局且活力无穷指引出”There's A Good Reason These Tables Are Numbered Honey，You Thought Of It Yet”推荐佳作与末曲如Queen乐团戏剧化的“Build God，Then We'll Talk”，一再散发超乎想像的高能量，并在Panic! At The Disco团员力图呈现多元化曲式下，从头到尾绝无冷场的热闹出招。
Barely out of high school when signed as the first act for Powered By Ramen's new Decaydance imprint, guitarist Ryan Ross and drummer Spencer Smith of Panic! at the Disco had previously cut their musical teeth in a local Las Vegas Blink 182 cover band. It's that familiar, contempo-punk-pop sensibility, bolstered by the amped-up emo-core ambitions of singer Brendan Urie (typified by the snarky gem 'The Only Difference Between Martyrdom and Suicide is Press Coverage') that dominates the opening tracks of the album. It's a shrewd hook, one the band steadily expands -- sonically and lyrically -- thereafter. The nervous energy of 'London Beckoned Songs About Money Written By Machines' is set off by sonic embroidery that's sounds as intriguing as the vocoder shtick of 'Nails For Breakfast...' does dated. Yet 'Camisado' quickly shakes up Supertramp's prog-pomp with a double-shot of modern punk-pop smarts, an alchemy the band and producer Mint Squire performs with similarly inventive, genre-blurring ambition (complete with a quasi-Grand Guignol 'Intermission' nearly worthy of Queen) on 'Lying is the Most Fun...' and such standouts as 'But Its Better If You Do' and the arch delight 'Build God, Then We'll Talk.' Too many young bands are content slaves to fashion; this one has forged a promising debut by shrewdly taking fashion hostage, then standing it firmly on its head. -- Jerry McCulley
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